
What is watermark?
Filigree is a decorative technique in the art of jewelry that involves shaping and joining thin threads of metal, usually silver or gold, to create delicate, airy, often lace-like designs.
Through its finesse and complexity, filigree manages to transform metal into an art form that seems almost textile-like, with floral, geometric or abstract shapes. The end result is a light yet visually rich piece that highlights the dexterity and precision of the craftsman.
Brief history of watermarking
Filigree is a technique with ancient roots, found in multiple cultures around the world. The earliest evidence of filigree jewelry dates back to Mesopotamia (around 3000 BC) and has been discovered in areas such as modern-day Iran, India, Egypt, and Greece.
In Antiquity, Greek and Roman craftsmen took filigree to a high level of sophistication. In the Middle Ages, the technique spread to Europe and Asia, being used in both jewelry and religious objects.
During the Renaissance and into the 19th–20th centuries, filigree continued to evolve, being stylistically adapted from one region to another, but always retaining that air of delicacy, craftsmanship, and refinement.


Watermark types
Throughout history and depending on the region, filigree has taken several forms, including:
- Open watermark – models made exclusively of wire and metal frames, without a solid base; often glued or welded point by point;
- Applied watermark – the threads are applied and fixed on a metal base;
- Openwork (perforated) filigree – combines tracery and filigree elements for a lacy effect;
- Watermark with graining – sometimes combined with the granulation technique, adding small metal balls between the threads;
- Contemporary filigree – modern approaches to technique, often experimental or conceptual, sometimes combined with unconventional materials.
Watermark types and regional styles
Filigree is a decorative technique with a global spread, adapted by each culture in a specific way. Although the basic principle, the shaping of thin metal threads, is universal, the forms, motifs and working methods vary considerably depending on the region.
The Romanian watermark – between external influences and contemporary reinterpretations
The filigree technique was not widespread in the heritage of Romanian folk jewelry. Instead, it was sporadically adopted in more recent eras, especially in urban contexts or those influenced by industrial craftsmanship.
In the 20th century, especially during the communist period, some filigree-style jewelry appeared in Romania, inspired by models from Russia, the Caucasus, or the Balkans, where this technique was more common. These were more of a modern aesthetic influence, present in the production of mass-produced jewelry or pieces from state workshops, than a continuation of an authentic traditional craft.
Romanian filigree is characterized by:
floral patterns and arabesques with elegant symmetry;- dense but fine compositions with a subtle and delicate decorative effect;
- extremely rigorous execution, with tightly woven metal wires and precisely bonded with powdered solders;
- without a metal backing, frequently in jewelry, or religious objects.


Iberian watermark (Spain and Portugal)
In the Iberian Peninsula, the filigree has become a national symbol, especially in Portugal, where it is worn at special events and in traditional costumes. Specific to this style are:
- convex and rounded shapes, sometimes in radial symmetry;
- wide, flowing volutes, often inspired by solar or floral motifs;
- traditional symbols such as the Heart of Viana, representing love and faith;
- airy and decorative, with contrasts of light and shadow in the metal structure.
Indian filigree
India has a centuries-old tradition of metalworking and jewelry, and filigree is often taken to extremes in detail. This style is distinguished by:
- dense and complex models, sometimes of impressive miniaturization;
- frequently combined with granulation and opaque colored enamel;
- worked mainly in gold, but also in silver, for necklaces, bracelets and accessories;
- mythological and symbolic themes, but also floral or abstract motifs.


Italian and Greek filigree
Italy and Greece are two regions with a rich heritage in ancient jewelry. Features:
- In Ancient Greece, filigree was made exclusively by hand, without a support base;
- in Italy (Sardinia, Sicily), filigree jewelry is part of the traditional folk costume;
- the use of gold and silver, with floral, religious and natural motifs;
- compact but harmonious pieces, with a ceremonial or symbolic role.
Chinese filigree
In China, filigree takes a different approach, often being integrated into decorative objects:
- symbolic shapes: dragon, plum blossom, clouds, phoenix, etc.;
- more rigid structure, sometimes combined with the cloisonné technique (enamel in metal cells);
- used in clothing accessories, boxes, brooches or decorations;
- emphasis on visual balance and symbolism.

Filigree is not just a decorative technique – it is a form of skill and patience, a dance between structure and air. Whether we encounter it in ancient jewelry from India, in the heart of Viana in Portugal, or in modern reinterpretations by contemporary artisans, filigree remains a testament to man's fascination with detail.
In Romania, even though it was not a predominant technique in popular jewelry, filigree has been adapted and rediscovered. Today, it is fertile ground for jewelers who want to create works with sensitivity and visual impact.
This page is a starting point, an invitation to explore. If you have been captivated by the elegance of filigree, we are waiting for you at Artkimia, where we teach filigree courses for those who want to learn this technique from scratch or deepen it in combination with other approaches.